LOFT55 – Keeping it Street

You know that way it feels when the planets align at exactly the right time to make great opportunities known to you? Well, this picks up from my last post very aptly. It confirms my thoughts on music, following conversations with an old colleague and good friend who has recently taken the bull by the horns and thrown himself into a new venture. Those conversations resonated with me for a number of reasons, but predominantly the thought that had gone into it and the level of passion & energy he was investing. To the uninitiated Loft55 might seem like any other brand of clothing and accessories range, however, after asking a lot of questions I was heartily impressed with the community value attached to the venture.

 It got me thinking that the thought process behind the idea & influences would appeal to a wide audience. I figured, given how successful his recent Instagram channel had proven that my old chum would have lined up marketing and local media attention to assist with the soft launch. Not so it seemed, too street level for that approach.Well, do you mind if I share your journey so far, I asked. Sure thing he said.
So, here we go. Everyone, meet my old pal Alistair Back.
 
Below, I speak to Alistair, (hailing from Brighton) charting the Loft55 journey so far.
For people that haven’t heard of Loft55 can you tell us how it came about?
Twelve months ago I began taking time out from a 10 year old dance party I started in Brighton, for a few reasons, but primarily to think about ‘the purpose’ behind it all. I realised that I had shifted my values onto those of providing a party rather than djing at it. I had lost sight of the social aspect and community spirit involved from the party’s early years and that did not sit right with me at all. As I went through this period of reflection two major things happened.
Firstly, I overcame my anxiety condition through becoming more mindful, not only of my state of mind but also taking a bigger pride in my appearance. This lead on to my interest in ‘clothing.’
Secondly, my wife and I travelled to Vietnam. Our experience being one of profound respect for the people of that country that have put past divides behind them. This is important as they do this in their physical communities. Over here we seem to be very devisive in our online communities. My view is we should celebrate what’s immediately around us that impacts our immediate community, whilst also putting efforts into improving and supporting locally. I know this view isn’t what you get to hear about that often but as a politically fluid person I dont have a bias system going on.
So in essence LOFT55 is a message behind a fledgling clothing brand about acceptance in our physical communities. If that view doesnt work for some people then that’s fine. Im travelling on a different bus but I respect those that travel in the opposite direction.

Where did the idea of Loft55 come from? 
Rounding up my musical and social experiences from my teenage years to right now approaching 50. Musically I’ve enjoyed so much great music in the company of others through some cracking periods here in the UK. LOFT55 represents the community that surrounds enjoying music in the non online world. Socially, Ive lived all over the UK in various types of communities and I wanted to express how varied we are depending on our social and economic backgrounds. However we shouldn’t judge people online if we havent walked in their shoes. And of course I want to develop my clothing line but with a message of acceptance in our physical communities firmly behind it. Oh and plenty of anchors too

What kind of merchandise / clothing can people expect?
Now we get to the core of LOFT55 as a platform to present the message around physical community. Here is where I flex some creative muscle around my love of vintage military kit and workwear. Being a huge fan I’m focusing on developing my eye whilst also doing some one off pieces fusing LOFT55 design and original military/ workwear pieces. Outside of this I’ve completed my first run of tote bags, duffle bags and sweatshirts that all have the original LOFT55 stencil anchor on them plus references to New York, Brighton and Vietnam. As this is all new to me I could end up doing anything but for now its all trial and error. Thankfully so far the general response has been a good one to what I’ve come up with.

You mentioned a nod to New York, Brighton & Vietnam. What’s the story?
New York – It’s about The Loft and it’s host David Mancuso. It’s a community and music thing via the medium of a party that appeals to me. I’m a big fan of David. Sadly he passed away and I would encourage anyone to find out more about his legacy. I’m also a big fan of the history of New York’s disco and hiphop scenes from the 70s and 80s. You get a lot of that influence when Im hosting a LOFT55 sesh.
Brighton – I go back to my previous comments about physical community and my earlier parties. In 2008 I set up a series of parties catering for a musical approach that wasnt generally accepted or known about at that time. The parties were very grassroots and outside of clubland in the most part. The sense of community was huge as people were forming friendships through these early parties. The great thing was that at the time social media was only just taking off and people were relying more on physical interaction. This is why the parties worked so well and it formed my stance on physical community and how we act in our own to others being of such importance.
Vietnam – Vietnam blew our (my wife Nic and myself) minds. We were in country and were learning about the countries past. This was done through documentaries and also in regards to modern day Vietnam, our tour guides. The magnitude of how the people of the country have moved on from such a terrible past was inspirational. It was also good to learn about the war through watching documentaries. Being politically fluid gave me a non biased starting point to enable me to look at the human aspect, not the political one, from the years 1955 onwards.
We would do well to look at The Vietnamese and their ability to leave the past in the past more than we do. (myself included)

What are your aspirations with the venture?
You know what. It’s not about the end goal. For me it’s about the journey. LOFT55 could and probably at some point will fizzle away and become something else. Ive done the dj thing, got through that and found a purpose with LOFT55. I’ve already been offered money to extend the output but declined as I’m just pushing my boundaries and learning for now. Ideally I would like see LOFT55 develop as a clothing line where people understand the message that backs it up. Some good parties wouldnt go a miss as I havent just yet lost the appetite for playing music in front of a nice bunch of enthusiasts down the disco.

Where can people find out about what you have going on? Web site, social media?Absolutely no bespoke website. That’s way too impersonal for me. Facebook and Instagram  works at my level quite nicely plus Bigcartel.com is where I’m planting my swag if people want to wade in and grab a few bits. Here’s some links;
Big Cartel Loft55 shop
Etsy Loft55 store shop
A bit of the musical side of things can be found over at Go Bang Brighton
How can people get involved?
Well, simply put, people need to be positive about the message I’m trying to send about acceptance in our physical communities being more condusive than division in our on line versions. Once that’s all OK and providing my clobber looks ok to the eye then I’d say get some. If asked what LOFT55 means when wearing anything feel free to spread the word far and wide. Tokyo has some LOFT55 swag headed its way so there’s no limits.

Do you have any events?
Only my launch night on Fri 4th May in Brighton. Other than that no plans yet. Just happy to go with the flow. If I feel the need to give things a little musical push then I’m quite experienced at putting a party together myself. Always worked outside the music industry so I’m seasoned in being a self starter when needed.

What’s next for Loft 55?
I’m trying to get aligned to a mental health charity here in Brighton so I can raise funds and awareness for their young persons area through LOFT55 and my charity work. This is really important as this area of giving back locally into my immediate community is what Im trying to do more of. Years of taking great experiences from djing can only last so long before I needed to return something tangable back, hence LOFT55 is also a platform for raising awareness and funds when and where it can. Other than that, just continuing as normal. Keeping an open mind, trial and error with the clothes and keeping the journey not the destination of LOFT55 front and centre.

So, there you have it folks

Loft55 – A clothing line
Anchors vintage military attire
Dedicates positive vibes man
To communities who’ve inspired.

The past, it’s people, resilience
Musical enjoyment, friendships alive
For the journey, not the destination.
More than a clothing line – Loft55

The Power of Music

In my last post, I wrote about how we can all reap the benefits of taking a bit of time to get some perspective and gain clarity on the important things in life. I thought it might be worthwhile to go into a bit more detail on some of those important things and immediately thought ‘friends.’ Then I started thinking…. You know that way a song comes on and it immediately reminds you of a friend?
Well, back when digital music was becoming a big deal I vowed to put together a playlist that contained all of those songs. I remember at the time, peer to peer sites like Napster, Bear Share, Bit Torrent and so on were making online music so readily accessible and free (we’ll gloss over the illegal bit) and like most people at the time, it meant re-living a lot of songs from years gone by.
It seems a while since most peer to peer sites vanished and modern ways of sharing digital music have moved on considerably. Like a lot of things we plan on doing, I never did get round to compiling that playlist.
Recently though, a Facebook thread I was nominated on re-lit a lot of my musical memories.
The idea was simple. In no particular order, list 10 all-time-favourite albums. Those that really made an impact and are still on your rotation list, even if only now and then. Post the cover, no need to explain.
Then nominate someone else to do the same.
Within just a few days of posting my first album cover, my friends were posting and then friends of my friends posting, soon, giving way to a mini-musical explosion of my news feed.
Some of my friends and I chose one or two duplicate entries but most had completely different choices. Some friends named at least a few albums that I really loved but hadn’t quite made my top ten and a few friends named albums that I had never listened to. Some friends missed out on the fun but everyone’s busy right.
I liked more Facebook posts than I had in some time and left a fair amount of comments on the music that was brought to mind throughout but this felt much more than just wasting time on social media.
A lot of the albums brought back some very vivid memories of some very good times from a number of different periods of my life. It turned out the entire experience had a very positive effect on me for a variety of different reasons. Firstly, it really made me smile. As I posted my own choices each day, I found myself playing each album too. Some were streamed and for some, I took the trip up to the loft to dig out the original vinyl album. As I watched my friends posting, I started listening to a lot of their choices too. Smiles became happy memories and once again, I found myself remembering certain songs that I associated with certain friends. It also brought back memories that I’d long associated with the albums or individual songs from the albums. The ranged from the gigs and festival memories throughout the years to experiences no less steeped in music but in much simpler surroundings. In many cases, the memories are as simple as the first listen to a tune. Those memories go all the way back to my first vinyl experiences at home as a child. From there to music listened to in a pals house or room in the block conjures up as many memories. A friend slipping a tape into my car’s cassette player, (or CD or MP3) hearing a song at a party or on the radio, a night in the pub or even just a conversation that led to listening to something new. Suffice to say, way too many stories for the post. But, you know the times. The good times, the sense of being part of something. The feeling of being part of a wider society of like-minded people. Joined together, even on occasion, for the shortest period of time. Whats more important is the feeling that remains, galvanised and etched on the memory, even if for long periods it’s remained dormant. Music refreshes those memories and makes them live again.
In quite a few cases, I saw favourite albums of my friends appear that I remembered them listening to in years gone by. For many of these, I hadn’t actually realised how heavily they had influenced the music I had gone onto listen to throughout the years. So, to everyone who has touched that musical journey, I say thank you.

I think it was at that moment I thought I should do that playlist that I had vowed to do all those years ago. But it was then I also realised it was going to be very difficult to curate such a playlist without missing someone out.
But then the true power of music caused me to give a small giggle to myself. Surely, I thought, the important thing is not in identifying one song per friend but more identifying some key sounds that have influenced my musical journey over the years.
That will be different to most of my friends, but it will almost certainly contain something that we can all relate to. Ah yes! You mean, Graeme, the exercise you and your friends have just enjoyed over the last couple of weeks on Facebook. Oh aye, right!
So, maybe I did spend a little more time than usual on considering the choices I made, commenting on others choices and listening to old favourites, others favourites and old tunes new to me.
But it was time well spent, highlighting what is important and in this case re-emphasising the power music holds.
It has the power to make us smile and to make us cry.
It has the power to energise and to heal.

It’s a massive part of all of our lives, music.
We often chose music to change our mood as well as to enhance our current mood.

We dance, drink, talk and hate to it.
Love, Work and meditate with it
Reminisce and plan with it
So many activities we share with it.
We’ll never ever stop listening to it.
Music breathes life.

So, whatever music it is you are listening to at the moment, remember that a great force lies dormant in the tips of your fingers, awaiting your next tune of choice. Ready, with the opening chords, to trigger an explosion of memories. That, my friends, is the power of music!

What Keeps You Real? (New Ear New Year)

What Keeps you real?

I recently decided to leave a company and job that I absolutely adored. I’d been with them for almost eleven years, 5 different job titles, a couple of periods of near burnout and one extremely humbling moment that will stay with me until the day I die. But even that immensely powerful, life-transforming first trip to India pales in comparison to the one moment that has humbled me more than any other during the last eleven years.
Coincidentally it was also a key contributing catalyst in my decision to leave my beloved Sky.

Let’s start by going back to those 5 different roles I mentioned. The first three came about by way of functional expansion, taking on additional responsibility, more people and ultimately new job titles. It was a good time for learning about new emerging technologies and gave me a good understanding of our key business drivers. I learned about some of the most important factors to consider when leading teams and undertook some big challenges. These involved steps out of my comfort zone but I was hugely supported throughout. The transition from the third to fourth taught me more about myself, and in particular, how, as people, we adapt to change.
Work flowing through our team was viewed as ‘in safe hands’ and we had the highest staff engagement scores in Scotland and amongst the highest in the company. The team always had each other’s back and had become like close family to me. Things were going great.
And I realised the point at which I got comfortable again.
I applied for a new role and got complacent in the interview. I knew everyone on the interview panel well and perhaps subconsciously saw myself as a shoe-in for the role. I prepared for it, but in hindsight, not nearly enough.
I didn’t get the job!
What I did get though was some pretty open, honest, direct feedback, the type that has the effect of feeling like you’ve been hit squarely between the eyes with a sledgehammer.
I’d written down that feedback but wanted to throw it in the bin. I thought better of it though and kept it although initially, a bitterness towards the individuals who had given me it. I thought they had got it wrong. I became unhappy, demotivated and sought counsel from a number of close friends at work. Soon I started to act upon the feedback, more out of curiosity than believing it to be right… but low and behold I started to become happier. Within a number of months, new opportunities seemed to open up. A domino effect ensued, resulting in the biggest opportunity of my time at the company. Another new role, this time a 12-month secondment presented itself. (You can read about it in a separate article entitled Leap of Faith)
It meant an enormous amount of change for me and I learnt more than ever before. I wasn’t just out of my comfort zone at times here, often feeling like I was in way over my head. Funny thing though, the more support I needed, the more it made itself available. I look back on this time fondly. It was transformational. Again, huge support where many colleagues became great friends. When the secondment was over I was left without a role to go into. One did become available though and it meant being interviewed again. I was given a choice of who would accompany the hiring manager on the panel. My previous manager or the person I’d received that feedback from around 18 months previously. It was a no-brainer.
I chose the latter. I prepared like I’d never prepared before. I realised that I was now doing all the things that had been suggested I should think about. I smashed the interview and got the job.
Six months into the new job, the company re-org’d resulting in significant change.
How would I deal with it? Those who had played a key part in my development were pretty clear.
Graeme has become the ‘King of Change’ and he will take it in his stride.
Quite a compliment, best live up to it, I thought. The next year brought much more wide-reaching change.
This time around, better equipped, I spent much of my time helping others deal with change.

And then, following my summer holiday last year something quite inspirational happened.
Probably the most humbling experience of my life laid on a plate for me by a ten year old girl.
Born with a small ear, (a condition known as microtia) my youngest daughter has been seeing medical staff since she was two, to track her progress. The option to reconstruct her small ear involved an eight-hour surgery where cartilage was taken from her rib and used to form a new ear. Incidentally, the technology used to create her new ear is fascinating. This short video explains it. And there’s more on it here.
Anyway, Charlotte spent a week in Edinburgh sick kids hospital recovering, on morphine and in significant pain for days following the operation. Even after coming home, it meant weeks of medication and discomfort.
How many times do you think she complained?
Every moment of every day do you think, perhaps once or twice at the most painful of moments?
Let me tell you….not one single complaint!!!
She just got on with it, battling through, determined to get just a little bit better every day. As did every other child we came across in the hospital. Children with serious, life-affecting conditions, many expected to seriously reduce their life expectancy.
Just getting on with it, positive attitudes and never complaining.

We’ve all seen it.
Change in the workplace can breed uncertainty & frustration, worry & anxiety along with many unsavoury manifestations of those emotions.

Meanwhile here is a ten year old girl, with more than a thing or two to teach us all.
I might have been King of change, but it pales in contrast to Queen Charlotte.

A few people commented that I seemed different after coming back to work after Charlotte’s operation.
They were right.
I’d received an almighty injection of humility. I’d been hit by a different sledgehammer, this time one carrying considerably more force.
It got me thinking about the important things in life. Like happiness! Self-fulfilment. Being myself, staying grounded & true to my core beliefs. About the things that we all take for granted every day, like our jobs, our health or the roof over our head. About the millions on this earth who will never have anything resembling the quality of life we have. And then, about precious moments we share with loved ones and why it’s so important that we give thanks, make the most of what we’ve got & never ever take anything for granted. We are responsible for the lives we build. As part of that, we must identify when we need change. After much thought, it became clear that the time was right for me to bring that part of my professional life to a close. And what a part it has been.
In a world where only one thing is certain, I guess change keeps me real.
And as I move forward into whatever the next chapter holds, I do so happy in the knowledge that I’ll continue to face change positively, embracing the wonders each new day holds.

Fatherson Play Hometown Secret Gig

When two students at Kilmarnock Academy told their Head of Music / Deputy Head Darren Ramsay that they’d really like to put on a gig in the school as an enterprise activity, Mr Ramsay was more than happy to help the pupils out.
So, with the help of their teacher, the two passionate music lovers Regan Kelly & Bryce Campbell set about pulling together an evenings entertainment to be hosted in Kilmarnock Academy on 06 March.
Whilst the boys considered sound requirements, advertising and promoting, ticket sales alongside the all important compliment of bands for the gig, Mr Ramsay wondered how he might be able to surprise the students with a bit of a reward and thanks for the idea and hard work they had committed too.
A couple of phone calls later, to some ex students of the Academy and the wheels of his surprise were set in motion.

Fast forward to Friday 6th March and early evening around 1815, I arrived at the school accompanied by avid music nuts Heather (my daughter) and her pal Kayleigh. Met by Darren and escorted through the school assembly hall, (whilst one of the local brass bands were still rehearsing) later to become our gig venue for the evening.
We chatted in his office a little about how the organisation of the event had gone and looked forward to the evenings entertainment.
Shortly before 1900 and not long before the doors opened to the waiting line of excited music fans outside, Darren led the girls and I back up to the assembly hall where he introduced us to Fatherson lead vocalist Ross and bassist Marc. I chatted with Marc briefly who told me how much the band had enjoyed the recent UK tour supporting Enter Shikari and how much they were looking forward to the evenings event.
It had all come together out of luck really, as the band were shortly heading across the pond to play a gig in New York before making their first appearance at SXSW (South by South West) music festival in Austin Texas later this month. All this amidst sticking to a rigorous university schedule.

With Fatherson having taken their leave to backstage, the doors were opened and the hall filled with what it probably best described as an intimate crowd. Perhaps no more than 50-60 were lucky enough to have a ticket.

The music started with Deficits, the duo consisting drummer and guitarist / vocalist, took to the stage. After only 12 days together as a band, they played a short set comprising original material and few covers by the likes of White Stripes, Black Keys and Royal Blood. A great start to the evening.
Next up was solo artist Liam French, who along with his acoustic guitar, I was told reminded Heather and Kayleigh of a combination of Nirvana, Ed Sheeran and Oasis. High praise indeed for the young man, who then duly covered Oasis’s Live Forever quite beautifully in his set also comprising a couple of his own self penned numbers.
New Frontiers burst onto the stage like seasoned rock n rollers and with the obligatory “Good Evening Kilmarnock” they were off. With front man clearly no stranger to the limelight and a quite outstanding lead guitarist, the bands eclectic blend of rock music hit all the right notes with the small crowd.
With penultimate act New Girls we were promised to be in for a treat. And even although the eccentric front man had to endure some fairly turbulent moments on stage (as his guitar string snapped and he searched for a replacement) the band took us through their reportoir with much aplomb. What better way to finish their set than with a rousing rendition of Seven Nation Army.

And so to the headline act of the night. Kilmarnock’s very own sons, Fatherson took to the stage just before 2230. Clearly excited to have the boys on stage the crowd erupted into what can only be described as a mini mosh pit…. quite quirky given the fact we were standing in a school assembly hall. Even more beautiful was the echoing cries from the front few rows of “Here we, Here we, here f$%&ing go.”
“We’re in a school, we shouldn’t swear really” singer Ross teased the crowd.
“Oh, go on then….BOOBS, he whispered.”
The band were on top form, music levels turned up and sounding particularly tight, vocals, guitar and drums combining to make their melodic, anthemic Scottish rock sound filling the hall quite sublimely.
They seemed right at home, as they told us this was them back to where they played their first ever gig it made the evening all the sweeter. I couldn’t help but think that years from now, the very lucky few in attendance will remember the night, and perhaps the evenings rendition of Hometown, with particular fondness.
It’s only fair that the last word though is that of much thanks and very well done to Regan, Bryce and Darren for putting on a fabulous show. Nice one gents!
http://www.fathersonband.co.uk

The Rising Souls – Electric Circus 21 Feb 15

After years of gigging, last night was, embarrassingly, my first ever visit to Edinburgh’s Electric Circus.

Excuses, I have none, albeit perhaps that my musical junkets in Scotland have predominantly been in Glasgow,
save a smattering of Edinburgh gigs over the last few years.
Electric Circus is a quirky little place, the low slung ceiling giving it that very intimate feel as soon as you wander in. Through the front door and handily the bar is straight ahead. Seating to the right and off left just about 10 metres in front is the small stage.
As we arrived around 1945, Megan D, had kicked off the evenings entertainment (which had been put together by @JuliahMusic to raise money for Radio Forth’s Cash For Kids) warming up the already ample crowd. Following a short set, Ross Arthur and his guitar ran through a few numbers of his own. Fair play to the lad, not many would have the confidence  to cover Jessie J’s Price Tag for the waiting crowd. He pulled it off too, leaving to a well deserved cheer and round of applause.
As The Rising Souls took to the stage we stood up from the comfort of the leather lounge sofa’s we had somehow managed to acquire at the back of the room. The opening five chords of album opener “Don’t Say You Love Me” reminds me somewhat of The Doors Five To One.
Only though until ‘that’ voice grabbed the attention of my eardrums. Sounding far older than his years,
you’d be forgiven for thinking that around 60 Bensons a day were part of his regime. This is the gruff and yet sweet soulful sound of lead singer Dave Archibald. I wasn’t the only one immediately transfixed to the stage.
Three songs in and my personal favourite The Boxer had everyone mesmerised.
Three band members, somehow making the small selection of instruments sounding like so much more.
 To Dave’s right on bass is Kelso.. imagine what what Russell Brand might look like if he got his plentiful locks chopped a bit shorter. Side left, sitting on a box (sorry music peeps…. it’s a cajon don’t you know) was Tom, who hopefully won’t be offended if I say I thought there was a bit of a Scroobius Pip vibe being rocked. Well cool!
The evenings set was executed to perfection. More than one person told me they’d listen to this all night and I found it hard to disagree. Finding the balance between up tempo foot stomping, and laid back grooves seemed to be carried out absolutely seamlessly and with ease.
So what exactly do these guys sound like?
Well, I’d heard the first album the band made as a four piece and it definitely emanated quite a rock vibe. Perhaps with lead singer having the whole Mark Rankin denim jacket going on, I remember thinking a refined GUN, for those old enough…. But wait!
STOP PRESS
The four piece rather rock sounding Rising Souls came back as a three piece with musical direction taking a very, very interesting turn.
The voice contains the same passion and soul as I remember yet there is a definite more bluesy feel to the music.
More than a couple of times I’m sure I hear something a little Doorsey coming into the sound.
But what inspired the change of direction I wondered. It’s always interesting to see bands changing genre, particularly when the result is as satisfactory as this one. The edginess of Dave’s vocals, I thought was perfectly suited to the rock sound but mixed with the bluesy feel just seems… well, so right.
I asked Dave after the gig about the change of direction, which seemed like a natural progression, following a few acoustic sessions he and Kelso had done together, following the release of the first album.
Listening to the likes of Otis reading, Ella Fitzgerald and Sam Cooke he explained that writing music inspired by them is what had become the most natural thing to do.
What happened though is that the rock undercurrents still eminate and the result is something quite rather spectacular.
Opening lines of The Boxer sum this up perfectly for me….
I am a firecracker, I”m going to melt you down.
I’m not a lover, I’m a fighter whose in doubt..
Put on those boxing gloves and I will knock you down.
But the count to 10 aint long enough so throw that towel now.
Man you talk a pretty good game now but it aint so good
When your lying seeing double…..
Like most in attendance last night I could not disagree. This was a group of young men looking very comfortable, natural and thoroughly in love with what they were doing.
As the band name says, these boys have soul.. Watch them rise!Rising Souls

Little Fire album launch – Oran Mor Glasgow 05 Dec 14

Everyone loves a celebration!
And whilst Christmas celebrations may have started for some, the Oran Mor played host to a very special birthday celebration on Friday night.
But it was really only very briefly a birthday celebration when the crowd that had gathered, burst into song to wish the evenings main event many happy returns.
Little Fire was two songs into the evenings set which celebrated the launch of his debut album High Hopes.
So, it was no surprise then, that the audience and Little Fire were all in the mood for a party.
Support acts  Katie Hitchen and Rebecca Herd set the mood perfectly with their sweet, melodic vocals leaving the stage set for Little Fire and his soulful, love filled, awesomely cool run through of album tracks, crowd requests and a few other gems.
He loves to sing, which shows in spates, both in the emotion expressed in his lyrics and his regular positive interactions with his fans.
‘How’s everyone doing?’ he smiled as telling everyone that ‘Singing is the just the best feeling ever.’
Title track of the album High Hopes sums this young man up. He’s full of positive energy, full of gratitude for those who have helped him along the way, he holds his head as high as his hopes and a nicer guy you could not meet. Oh, and he can sing a fair bit too. I overheard him being compared as the Lionel Richie of Ayrshire by a member of the audience and like everyone in attendance, I wish him as much success as the old commodore.
Whilst Little Fire took his bow, I picked up my own copy of his album and left  the Oran Mor, getting a little emotional myself as I listened on the journey home.
Thoughtful, warming, soulful and positively uplifting throughout, whilst an all rounded relaxing feel leaves us in no doubt.
Little Fire.. Surely a big flame of the future!
Check him out here… http://littlefiremusic.com